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  by Michael Niederman


I need a tank. That’s what I learned by watching Gregor Jordan’s film “Buffalo Soldier,", written by Eric Weiss, based on Robert O’Connor’s book. I want a tank to drive to work and back, to pick up my dry cleaning, and to buy fresh arugula and beets at the farmer’s market on Sundays.

“But Michael,” you might ask. “Where would you park a tank?”

Anywhere I fucking want! There’s traffic? I don’t care; I drive a tank. I’m sorry, was that your dog? I don’t stop for dogs; I drive a tank. What? You say that there’s no actual road here? Roads are for pencil-neck geeks who drive Hyundais. I’m a real man who eats meat off the bone and drives a tank. Arianna Huffington can lobby against S.U.V’s all she wants to; after she loses the California Gubernatorial recall election to Arnold, all the cool people will be driving tanks!"

Wow. That was liberating…

Buffalo Soldiers (released by Miramax after being shelved for two years) tells the story of Ray Elwood (Joaquin Phoenix), a Sgt. Bilko- like corrupt supply clerk stationed on an army base in West Germany, just before the fall of the Berlin Wall. Phoenix’s Elwood spends his days selling army-quality Mop-and-Glo on the German black market, and he spends his nights selling German quality Heroin to the troops on the base. He’s glib and sarcastic enough for the audience to like him (watching him feign innocence when finding out that a recently dead Private had enough smack in his bloodstream to kill a cow made me giddy), yet amoral enough so we’re not sure if we should like him (a choice between calling an ambulance for two dead soldiers or stealing their trucks and selling them on the black market isn’t a choice at all.)

This is the sort of role that Bill Murray might have played 20 years ago. Wait, Bill Murray did play this kind of role 20 years ago, in the classic comedy "Stripes." Both "Stripes" and "Buffalo Soldiers" have more in common than just a sardonic leading man, they are both films about enlisting in a peacetime volunteer army. While "Stripes" played this for laughs, Buffalo Soldiers takes the same idea very seriously. In today’s army, (or the army of 10 years ago) the typical G.I. enlists because he has no other choice. He can't afford college tuition. He has no career opportunities at home. And for some, like Phoenix’s Elwood, it was a choice between enlisting or going to jail. For them, the army’s not an adventure, it's a place to get free clothes and haircuts.

Phoenix does his job well. He kisses the proper amount of ass, is obsequious when the situation calls for obsequiousness, and has become an expert at playing both sides against the middle. He has become so used to pulling the wool over his superior officer’s eyes (Ed Harris, who’s good-natured obviousness proves that this actor is capable of doing absolutely anything he wants) that when someone starts giving him grief (Scott Glenn), he actually looks forward to the conflict.

Another thing I learned from watching Buffalo Soldiers: if your boss starts giving you shit, fuck his daughter. If he refuses your offer of a stolen television when you ask him to look the other way as you go about your business, fuck his daughter. If he has an entire platoon open fire on your illegally gotten Mercedes convertible, fuck his daughter. If he tries to have you and everyone else in your heroin smuggling ring killed, get engaged to her. Especially if she’s played by the beautiful Anna Paquin. God, between this film, and her roles in The 25th Hour and X2, I would do just about anything for that woman. And it’s not helping matters knowing that this film was actually made over two years ago, when she was barely 19. It makes it that much better. Hell, as I write this, I’m watching "Fly Away Home" on the Family Channel. I’m a bad, bad man.

Actually, there was a reason why Miramax studios delayed the release of this film for two years, and not just to appease perverts like myself. Apparently, there was concern that after 9/11, the public wouldn’t take well to a movie that depicts the American military in a potentially bad light. Of course, I don’t see how showing American soldiers as a bunch of thugs, junkies, sociopaths and thieves might be construed as showing them in a “bad light," but that’s just me.

So, I’m going to take a stand against censorship right now, the only way I know how. To my editor: if you edit my column again, you un-American commie-loving, brie-eating pencil-neck geek, I’m going to take my brand new tank and run over you and your Hyundai. What kind of communist drives a foreign car? Every time you edit my column, you’re censoring me, and that’s un-American. Every time your correct my spelling, you’re being un-American. Every time you alter a run-on sentence, you’re being un-American. Every time you take out of my jokes (like the one about the hooker with dysentery, that one was GOLD), you’re being un-American. So leave my column alone, you Bolshevik. Or else the terrorists win.

Niederman has spoken.

 

Above: The very sexy and now-perfectly-legal Anna Paquin and that hare-lipped guy with the funny name nobody is sure how to pronounce.


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