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by Michael Niederman

The Jews really did kill Christ. Oops. My Bad. This is the evangelical piece of information that I learned by watching The Passion of the Christ, the new piece of propaganda masquerading as serious cinema directed by Mel Gibson, written by Gibson and Benedict Fitzgerald, based on a story by GOD!

I didn’t go to this film expecting to be as offended as I was. Sure, maybe The Passion of The Christ is anti-Semitic, but so is half of Spike Lee’s oeuvre and I think he’s a wonderful filmmaker. But I had no idea exactly how anti-Semitic The Passion would be. The Jewish clichés in the film (to call them “characters” would be too charitable) are greedy, hook-nosed, money-grubbing animals. They appear to have the character depth as a typical bad guy in a typical Mel Gibson movie. I half expected Gary Busey and Jet Li to show up in the background of the Jewish mobs, grinning and explaining their evil plans just before the third act.

“CRUCIFY HIM!” yells the Jewish mob. while Pontius Pilate tries his best to save this poor, downtrodden messiah from the evil Yids who are lusting for blood. “CRUCIFY HIM” yells the Jewish mob, as Mary and Mary weep silently in the background. “CRUCIFY HIM” yells every single Jewish character that has yet to understand that Jesus is indeed our Lord and Savior, and not just a dangerous revolutionary threatening the status quo.

Think I’m overreacting? Think I’m acting just like the Anti-Defamation League did two years ago after reading a leaked copy of the screenplay, giving this movie boatloads of free publicity and leading to all these advance ticket sales? I’m not, trust me. The controversial line that Mel supposedly cut from the film: "His blood is on us, on our children" was not actually cut. It merely wasn’t subtitled. This means that Mel really believes that the Jews are cursed for what may or may not have happened 2000 years ago. For fuck’s sake, Mel Gibson is a holocaust denier. I really have trouble respecting someone’s so-called artistic vision if he doesn’t respect genocide.

But the hatred doesn’t stop with the Jews.There are plenty of other things wrong with this film. Just like other Gibson films, The Passion of The Christ is also homophobic. King Herod fops around the screen, wearing a curly wig and eyeliner, doing a decent impression of Dom DeLuise in The History of the World, Part I. If that wasn’t bad enough, The Devil, who is played by Rosalinda Celentano, a female actor, speaks with a male voice. In other words, the Devil is transgendered. I expect nothing less from the director who tossed a faggot out of a window for laughs in Braveheart.

But enough about anti-Semitism, homophobia, and the fact that Mel Gibson will only admit that “some” Jews died during World War II. I’m not writing a political tract, here, but a film review. So how is the film?

Well, it’s kind of boring. That is, if you find extremely violent torture, flaying, beating, spitting, and crucifying boring. I happen to live in New York City, so it’s a typical Saturday night in my neighborhood. Jesus barely registers as a character at all. Pontius Pilate, Mary, Mary Magdalene, and Simon of Cyrenian all have more interesting dramatic moments then the King of Kings. In contrast, the most interesting thing that Jesus does is look sideways out of his good eye. Mel Gibson has been making violent movies for so many years that he mistakenly thinks that violence = drama. But since we all know how this movie ends, and since Jesus never questions or fights his fate, there is no dramatic tension.

Okay, so maybe I never read the New Testament. It’s not part of my belief system, which at the moment is limited to drinking beer and watching John Kerry ignore another one of Al Sharpton’s one-liners. Besides, this review is not of the New Testament, but of one racist, homophobe’s interpretation of it. I do understand that a great deal of people believe in the teachings of Jesus Christ. And I respect that. But this movie doesn’t bother to teach a non-believer such as myself what Jesus Christ preached and why. The film doesn’t examine why the teachings of Jesus were so dangerous to those in power. I understand that Jesus died for our sins. But, so did Lenny Bruce, and if you want I can recite his entire “Masked Man” sketch. No, really, I can.

Let’s not even get into the fact that a definitive representation of The Passion is impossible, since all four of the Gospels disagree. They were also written 50 to 70 years after the fact, and they had to make the Romans look good, since they were still in charge.

This attitude that the filmmaker knows best and everyone else would be foolish to question him, is the real problem I have with the film. While I wasn’t happy to see images in the film that I interpreted to be anti-Semitic or homophobic, they really didn’t offend me. Gibson’s film speaks to a much more dangerous evil. It speaks not only of egalitarianism, but a severe distrust of any opinion that might differ than one’s own. This is the reason why the Catholic Church conducted all of its masses in Latin until 1970: they didn’t want its disciples questioning what they were being taught. This is the reason why our own government refuses to allow any reporters to approach Bush unless all questions have been cleared in advance.

Mel Gibson’s new film is not just racist, not just homophobic, and not just sadist. It is religious fanaticism, masquerading as fact. It is fundamentalism. It is a right-wing tract, released at a time when our country is already in the middle of a culture war that is threatening to divide us.

Do not see this movie.

God, that was depressing. Anyone feel like some matzo-ball soup?

An opposing viewpoint by BFA Editor in Chief

Email:comments@bobfromaccounting.com

 

See? He's not really Jesus.


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